OLD POEM// drake is an anarchist, a love poem

~Be like the juice from the orange~
HE finally made it to California. Drake stares at the glass in his hand. He realizes
how wrinkled his brow is and smooths out his face. He goes back inside and finishes recording vocals for “4 PM in Calabasas.”Plus stares at the empty plastic bottle. There’s a whole hole in it, he’s trying to get it to smoke.

He stares at the notepad in his hand at the untitled poem.

The sun comes up again.

~wanna get you down on
a page put an explosion
in a bottle show my
friends merrily merrily
wanna be seen with
disappear u
this shit is not a love poem
this a fuck a artist meet em
where they cum song
i do not know what the
fuck you thought this was poem
this a eating pussy
better just because song~

Drake smiles at her,
“I just wanna interview you”
she’s in the bed too,
she smiles back and says
“Interviews are like confessions”

The music is really loud, Meek Mill is trying to sleep,
shots ring out.

There’s a gun in Drake’s face.

Plus writes a poem in his notepad:

Drake finishes recording “4PM in Calabasas” and comes back
outside. He smiles writing in his notepad:

new friends
big ol breakfast!
pretty towels

Plus’s poem goes like this:
i hope drake
i hope drake is on vacation
right now, and loving it
i hope drake is happy
i hope drake doesn’t really
have people trying to kill him
and if he does i hope they stop
i hope everyone forgives
each other
I hope someone new
comes into drake’s life
inspiring all kinds of
beautiful poetry and
heartfelt song
I hope drake knows when to be quiet
and listen

Plus is quiet on the beach. His friends are all around him,
he looks over there’s Sasha. He’s smiling. She and Walker
lead him to the water. He’s being quiet.

Drake’s Pop Style, through an anarchist lens is easy: Drake is really only able
to live this life because of his money, but he wants absolute freedom. He wants
to turn his birthday to a lifestyle, he wants to be able to make art as much
as possible, and he wants his family to be okay. He can’t chill though, ever.
He can’t trust no fucking body. It’s hard being a nigga. I’m talking about me,
I’m anarchist. – +

Drake and Sol Patches meet. Drake realizes how much he inspires them.
Drake realizes how revolutionary his music is. Drake has a secret plan and it’s
a revolution. Drake is being all he can be, Drake forgives himself. Drake is acting
again, soon! Drake is proud of VIEWS despite the reviews.

Drake uses protection. Drake is still alive when we stop death! Drake is listening to
Prince right now or some Stevie and his mama. Drake’s mama understands what he’s
going through right now. She’s not really 70 & alone right now. She & the 6 live
forever. Drake doesn’t have to go through what Kanye went through.

In this reality, no one shoots Drake to death for being himself. Drake sings.
Drake likes Radiohead. Drake never falls off. Long live the 6 God long live
you! Drake likes LEMONADE. Beyonce and Drake never fall off or age or die.

Drake writes a note to his OVO employees:
“We’re the ones taking care
we’re the ones bringing people in
watching the spaces
protecting the culture
nourishing each other
and all our beams

‘Beauty has been stolen from the people’ – Kanye West”

Plus says something to her about his art like “My life is a crime scene.”

Drake writes the lyrics to “Trophies”:
‘If I was doing this for you then I’d have nothing left to prove,
nah, this for me though.
I’m just trying to stay alive and take care of my people.
And they don’t have no award for that.’

Drake breaks down and weeps. The news is heavy on his heart. Later,
he writes a love poem:
~I respect you so hard
I wish I wasn’t afraid of you
I love you so much
I wish I didn’t hate you
what does it mean if I
find weed in my bag
while I’m trying
to cut back but
it’s actually a dried
plant that was alive
with the weekend’s
start a startingly hot day
when all the insects came to play 2 lovers 2 lovers~

ANNOUNCEMENT// The 10 Laws of #nomoneynoborders

#mtvxo logo

Read all 25 Laws of Pop Culture & learn more: tinyurl.com/LBGCsuperheroguide


#mtvXO is a utopian pop culture network & service learning platform. We partnered with Let’s Build Garden City! to bring you the 10 Laws of #nomoneynoborders and make it easy to share how something creates a free world! We focus on pop culture as the most powerful images, languages, and sounds expressed from all over the world and posit that its message is often literally censored from having the very impact we make it for. We are identifying our global human community’s TRUE demands, elevating them, and linking it all up to real life structures that build utopia.

These are the 10 Laws of #nomoneynoborders:

1. Life Does Not Transcend Money & Borders
2. Freedom Transcends Money & Borders
3. Art Transcends Money & Borders
4. Believing in Yourself Transcends Money & Borders
5. The Savior Transcends Money & Borders
6. Partying Transcends Money & Borders
7. Love Transcends Money & Borders
8. Utopia Transcends Money & Borders
9. Hip-Hop Transcends Money & Borders
10. Future Transcends Money & Borders


You can apply these laws (or your own!) at any time to anything.

Check out these sample posts where we use the following tools to explore a piece of art being #nomoneynoborders

🎞#NowPlaying: Clips, videos, or pictures illustrating the topic

🔎 #Factual: Objective descriptions related to how something fulfills a law (or three)

🔧 What Does It Have? What Does It Need?: Can be broad or specific, fantastic or realistic. Ex. What does the protagonist of a movie lack materially and how does that intersect with the plot and what they are looking for emotionally?

😎 Personal: Super subjective but all-important level of analysis, how the writer is indivudually experiencing a piece of art and applying it to their own life

🌏 #Actionable: Ties the subject back into #mtvXO/Let’s Build Garden City! and using art & creativity to actively make a new world.


Got it? Let’s play!


ESSAY// We Have to Save Batman v Superman!


Throughout Man of Steel (2013),  there are vignettes of young Clark Kent performing acts of heroism in small settings despite his father’s advice. They’re acts of pure passion for Clark, compulsions, even though he’s terrified the world will hate him.  They contrast with a dreamlike montage in Steel successor Batman v Superman: Dawn of Justice (2016) of Superman doing amazing feats with an intense sadness and mechanical presence.This montage is interspersed with him being torn apart in the news media. It’s like the mental and emotional weight is holding him down way more than any rocket or ship. It’s so sad, and reminiscent of director Zack Snyder’s controversial Watchmen adaptation (2009) on multiple levels.

People think Zack Snyder is a hack. His films have been critically divisive for years, though his reputation is obviously powerful enough for him to continue to take on bigger projects. This makes him more than just a regular hack to people when it comes to beloved properties such as 300 and Watchmen, it makes him a dangerous hack. Zack has cemented himself among icons; superheroes, devils, gods. Now that’s he’s helming the start of the DC Extended Universe (Dawn of Justice) he’s become the only thing scarier than any of the above- a hack in a suit.

And now I feel like Lois Lane.

The creator of this world is a complex human being with feelings, just like the rest of us!  Dawn of Justice uses its platform to heal humanity’s hatred.  Childhood trauma leads Bruce Wayne down a path of bitterness and rage.  Barely passing as a “normal” person himself, a fearful Clark Kent disses the Caped Crusader for working with the state to target and brutalize marginalized people. But despite what the trailers may show, its ultimate lesson is that our misunderstandings are not inevitable. Lois knows it from the start: the most heroic thing anyone can do is stop fighting long enough really try to listen to someone’s truth.

I’ve been talking about Batman v Superman: Dawn of Justice  in real life a lot the past two weeks, and it’s always fun to do. Batman vs Superman is one of those movies that’s about itself a bunch! Which was demonstrated when it came out: like its heroes, the film was wildly successful with people but then heavily shat on in the media.  This is about how reality can shift around depending on perspective and press and fears of the moment.

The plot of BvS itself is triggered by real life – people responded negatively to its predecessor‘s relatability and collateral damage during fights so Batman hates Superman because of collateral damage from a Man of Steel fight and people find it hard to relate to Superman in BvS world. That the two are characterized as a racist billionaire and an undocumented immigrant respectively is also super relevant, this U.S. election season.

Of course my friends know about the film’s massively negative reputation but when I relate BvS to our everyday struggles with social media, it perks them right up. I’m increasingly worried about the iconic filmmaker behind the crossover, and the dystopia he depicts in film being so true to life that a perfectly good person is going to get crucified yet again for a planet that can’t – or won’t – relate to his beauty and grace.

Batman v Superman: Dawn of Justice is now playing in theaters worldwide.